Janix brings ticketing, programming, marketing, CRM and audience intelligence into one platform — so every event makes the next one smarter.
The reality
Ticketing in one tool. Email in another. A CRM that never sees who actually walked through the door, a schedule app, a speaker spreadsheet called final_v7_USE_THIS. You spend half the year wiring them together and the other half cleaning the data they spit out.
The real cost is not the license fees. Disconnected event tools create disconnected audiences — so the people who bought, showed up, and came back are scattered across six exports that never quite reconcile. Janix brings event operations and audience data together.
Proof
Conferences, festivals, university programs and enterprise event teams — organizations whose audience matters long after the doors close.
See exactly what you get
Your public site
Your branding, your domain, your content. A fast, SEO-ready conference or festival site with schedules, speakers, artists, and ticketing built in. Not a listing on someone else's marketplace.
Ticketing, registration, and the door
Pass-based, free, or paid. Set pricing once and sell everywhere, then run a door — or a registration desk — that holds up under a line. Badge printing, walk-up box office, and offline sync included.
Sponsors and reporting
Pull exactly what sponsors asked for, in the format they asked for it, before the post-event thank-you even goes out. Every number traces back to the same source.
What you are actually building
Most event tech treats every event as a standalone project: sell the tickets, scan the badges, export a CSV, start over. Janix treats the event as the thing that produces your audience — and keeps that audience after the last session clears.
They stop being a row in an export and become an audience record you own — one profile that survives this event and every one after it.
Which tier, how early, at what price, how often. Purchase behavior is the strongest signal you have about who is a regular and who is browsing.
The scan at the door separates the people who bought from the people who came. Attendance is engagement, and it is recorded against the same profile.
What someone attends is what someone is interested in. Programming stops being logistics and becomes the clearest read on your audience you will ever get.
Every campaign adds to the picture — who acted, who went quiet, and because Janix runs the checkout, what each send actually earned in tickets and dollars.
The next event does not start from zero. It starts from everyone you already know, enriched by everything the last one taught you.
Your second event should know what your first event learned.
The platform
01
Everything between announce and load-out, in one place. Pass-based, free or paid ticketing. Multi-track schedules, speakers, artists and sponsors without the spreadsheet chaos. QR check-in on any device, badge printing and walk-up box office — working offline when the venue wifi gives out.
02
Every ticket, box-office sale and badge scan becomes a contact the moment it happens — sorted into super-fans, regulars, lapsed and first-timers with no list to manage. Paste something you wrote and campaigns draft in your voice, aimed at the right group, with the live count shown before you approve a word. You approve every send until you decide otherwise.
03
Which marketing actually drove sales — Meta and Google conversion tracking measured in tickets and dollars, not opens and clicks. See the show that is lagging while you can still fix it, and pull the report your sponsor asked for in hours rather than weeks. Every number traces back to the same source.
04
The audience persists between events, so the next one inherits it. Patterns carry across the whole program — which sessions filled, which segments converted, which passes sold first — and are there the next time you plan, while your attendees' privacy stays protected.
For established events
Established events sit on years of ticket sales, big contact lists, and hard-won knowledge about who buys — most of it stuck in an old ticketing system, an email tool, and a few long-tenured heads. Janix imports all of it. From there your campaigns work from your whole history, not just your last event: it tells a ten-year regular from a first-timer, finds the past attendees who lapsed, and writes to each in your voice. What your team learned stays in the system, even after they move on.
Talk to us about your event →Two ways in
Power your event. Start building your audience.
For conferences, festivals, university programs and independent producers.
Flexible
Priced to your event, not to a tier
Make Janix your organization's event and audience platform.
For organizations running recurring programs, where the audience matters well beyond any single event.
$24,000/year
Starting price. Plans scale with your program.
Most organizations start with a single event on Studio and move to Enterprise once the audience — not the event — becomes the thing they are managing. See full pricing →
Case study
Austin's interdisciplinary arts festival ran its 2026 edition on Janix: multi-venue ticketing, thousands of CRM contacts, data-driven audience personas, real-time check-in, and a fully branded festival site.
Who's behind this
Our founder, Scott Wilcox, spent 25 years at SXSW, 14 of them as CTO and then Chief Innovation Officer, and co-founded SXSW Eco. After a decade watching event teams duct-tape Eventbrite to Mailchimp to spreadsheets, he built Janix because the tool he wanted did not exist. Every product decision here is made by someone who has been on the other side of the door.
More about the team →Book a demo and we will walk you through Janix on your real program, show you where it frees up your time, and handle the migration from whatever you are on now. You go live when you are ready.