For festivals
The festival ends.
Your relationship with
the audience shouldn't.
Janix runs the whole festival — multi-venue ticketing, passes, donations, programming, artists and the door — and every sale and every scan becomes a contact you keep. When the last venue clears, you still have the audience the festival built.
Fusebox Festival ran its 2026 edition on Janix.
The reality
Every year you rebuild
an audience you already had.
Ticketing in one tool. Email in another. A check-in app, a CRM nobody opens, and a website that does not match the poster. The data scatters across the run, and the branded experience you spent a year building ends at a generic checkout page.
Disconnected event tools create disconnected audiences. So when the festival closes, what you are left holding is six exports that do not reconcile — and next year's announce goes out to a list that does not know who came, what they paid, or who has been turning up since the first edition.
What Janix runs
The whole festival,
in one system.
Tickets, passes and donations
GA, VIP, student, multi-day. Set it once, sell everywhere.
Tiered pricing, early-bird windows that flip on their own, holdbacks for comps, discount codes, and pass logic that survives a long sale window. Sliding-scale and pay-what-you-can with a floor you set, and donations alongside ticket sales. Your branding on every step, and your own Stripe account, so you stay the merchant of record.
Artists, venues and the door
A lineup you can publish, and a door that holds up.
Artists, schedules and venues in one place, with the room conflicts flagged before you publish. Then check people in from any phone across every gate and venue, print badges on the spot, and run walk-up box office — with door staff who sign in with a PIN and never see your admin. When the connection drops, and at a festival it will, check-in keeps going and syncs the second it is back.
- Multi-venue and multi-day programs
- Tickets, passes, tiers and pricing windows
- Donations alongside ticket sales
- Programming, artists and schedules
- Check-in, badges and box office
- Offline check-in with sync
- Audience CRM built from real sales
- Campaigns written in your own voice
- Your own branded festival site
After the festival
Most of the year happens
after load-out.
Most festival software treats the festival as a project: sell the tickets, scan them at the door, export a spreadsheet, start over in January. Janix treats the festival as the thing that produces your audience, and it keeps working once the venues are dark.
-
01
The festival builds the list
Every ticket, box-office sale and door scan becomes a contact the moment it happens — a record that exists while the festival is still running, not an export you assemble in the week after.
-
02
The record builds as you sell
Who has come for six editions, who came once, who bought a pass and never scanned in, who lapsed two years ago. Every one of those is on the record as it happens, so you can build a segment out of what people actually did instead of maintaining a list by hand.
-
03
You keep talking to them
An off-season show, a donation ask, the first hint of next year's lineup — drafted in your voice, aimed at the group it is for, with the live count shown before you approve a word. Nothing sends that you did not approve.
-
04
Next year's on-sale starts warm
You are not renting a list or starting from an empty one. The first announce of the new cycle goes to people the last festival already told you something about, and you can see what the campaign earned in tickets and dollars.
Your second event should know what your first event learned.
Live in production
Fusebox Festival did exactly this.
Austin's interdisciplinary arts festival ran its 2026 edition on Janix: multi-venue ticketing, thousands of CRM contacts, audience personas, real-time check-in, and a fully branded festival site. Then the ticketed festival ended — and Fusebox kept using Janix to work the audience it had just built.
- Multi-venue ticketing across the whole program
- Thousands of CRM contacts, enriched and segmented
- After the festival the audience work carried on in Janix
Two ways in
Powering one festival,
or running a whole program?
Janix Studio
Power your event. Start building your audience.
For a festival: one edition, one team, and an audience you want to start keeping.
$1,000/month
Plus 3% of ticket sales
- The full festival workflow, from on-sale to the door
- Artists, venues, programming and sponsors
- Audience CRM, campaigns and your branded festival site
- Subscription, transaction-based or a mix — whichever fits how your festival actually earns
Janix Enterprise
Make Janix your organization's event and audience platform.
For organizations running the festival and the season around it — satellite events, year-round programming, more than one brand.
$24,000/year
Starting price. Plans scale with your program.
- Many events and programs, one organizational audience
- Advanced audience intelligence and integrations
- Implementation, migration and training
- Priority support and organizational workflows
Most festivals start with a single edition on Studio and move to Enterprise once the audience — not the festival — is the thing they are managing. See full pricing →
Tell us about your festival.
Book a demo and bring your real lineup, venues and on-sale dates. We will walk you through Janix on your actual program, show you where it takes work off your team, and handle the migration from whatever you are on now. You go live when you are ready.