For festivals

The festival ends.
Your relationship with
the audience should not.

Janix Event Suite runs the whole festival — multi-venue ticketing, passes, programming, artists and the door — and every sale and every scan becomes a contact you keep. When the last venue clears, you still have the audience the festival built.

Fusebox Festival ran its 2026 edition on Janix.

A branded festival website built on Janix
Your festival site, your brand. Schedules, artists, and ticketing built in.

Every year you rebuild
an audience you already had.

Ticketing in one tool. Email in another. A check-in app, a CRM nobody opens, and a website that does not match the poster. The data scatters across the run, and the branded experience you spent a year building ends at a generic checkout page.

Disconnected event tools create disconnected audiences. So when the festival closes, what you are left holding is six exports that do not reconcile — and next year's announce goes out to a list that does not know who came, what they paid, or who has been turning up since the first edition.

The whole festival,
in one system.

A Fusebox Festival 2026 attendee's ticket being scanned from a phone at the check-in table
Photo: Sarah Annie Navarrete

Tickets and passes

GA, VIP, student, multi-day. Set it once, sell everywhere.

Tiered pricing, early-bird windows that flip on their own, holdbacks for comps, discount codes, and pass logic that survives a long sale window. Sliding-scale and pay-what-you-can with a floor you set. Your branding on every step. Payments run through Stripe Connect into your own Stripe account, so you are the merchant of record — your payouts, your rules.

Attendees lined up outside a Fusebox Festival 2026 venue in Austin
Photo: Sarah Annie Navarrete

Artists, venues and the door

A lineup you can publish, and a door that holds up.

Artists, schedules and venues in one place, with the room conflicts flagged before you publish. Then check people in from any phone across every gate and venue, print badges on the spot, and run walk-up box office — with door staff who sign in with a PIN and never see your admin. When the connection drops, and at a festival it will, check-in keeps going and syncs the second it is back.

  • Multi-venue and multi-day programs
  • Tickets, passes, tiers and pricing windows
  • Programming, artists and schedules
  • Check-in, badges and box office
  • Offline check-in with sync
  • Audience CRM built from real sales
  • Campaigns with revenue attribution
  • Your own branded festival site

Most of the year happens
after load-out.

Most festival software treats the festival as a project: sell the tickets, scan them at the door, export a spreadsheet, start over in January. Janix treats the festival as the thing that produces your audience, and it keeps working once the venues are dark.

  1. 01

    The festival builds the list

    Every ticket, box-office sale and door scan becomes a contact the moment it happens — a record that exists while the festival is still running, not an export you assemble in the week after.

  2. 02

    The record builds as you sell

    Who has come for six editions, who came once, who bought a pass and never scanned in, who lapsed two years ago. Every one of those is on the record as it happens, so you can build a segment out of what people actually did instead of maintaining a list by hand.

  3. 03

    You keep talking to them

    An off-season show, an appeal, the first hint of next year's lineup — aimed at the group it is for, with the live count shown before you approve a word. Nothing sends that you did not approve.

  4. 04

    Next year's on-sale starts warm

    You are not renting a list or starting from an empty one. The first announce of the new cycle goes to people the last festival already told you something about, and you can see what the campaign earned in tickets and dollars.

Your second event should know what your first event learned.

Fusebox Festival did exactly this.

Austin's interdisciplinary arts festival ran its 2026 edition on Janix: multi-venue ticketing, thousands of CRM contacts, audience personas, real-time check-in, and a fully branded festival site. Then the ticketed festival ended — and Fusebox kept using Janix to work the audience it had just built.

  • Multi-venue ticketing across the whole program
  • Thousands of CRM contacts, enriched and segmented
  • After the festival the audience work carried on in Janix
Read the case study →
The Fusebox Festival 2026 admin dashboard in Janix

Powering one festival,
or running a whole program?

Janix Enterprise

Make Janix your organization's event and audience platform.

For organizations running the festival and a recurring program around it.

Priced on your organization

Terms negotiated at signing.

  • Everything in Portfolio
  • Unlimited administrator seats
  • Unlimited programs, not just events
  • Implementation, migration from your current stack, and training
  • A named contact, priority support, and negotiated terms
Book a demo →

Janix charges the licence and nothing else. Card processing is Stripe's — 2.9% + 30¢ at standard rates — and Stripe bills you directly, because you connect your own Stripe account on every plan. We do not mark it up.

One licence covers the festival and every other event you run in the year. See full pricing →

Tell us about your festival.

Book a demo and bring your real lineup, venues and on-sale dates. We will walk you through Janix on your actual program, show you where it takes work off your team, and talk through what moving off whatever you are on now would actually involve. You go live when you are ready.