For arts and cultural organizations
A season is many events. It is one audience.
Performances, exhibitions, a festival and the education program around them, sold and scanned on one platform, and remembered on one record.
The actual problem
Every program has its own box office.
Cultural organizations collect systems: one for the season, one for the festival, a form for the talks series, a spreadsheet for comps. Each knows part of the audience. None of them knows that the person at Tuesday's talk also bought the festival pass.
Selling it
Sell it the way your audience buys it.
Janix Event Suite sells multi-venue programs, day passes and single tickets in one cart. Sliding-scale and pay-what-you-can pricing with a floor you set, enforced at checkout. Holdbacks, and comps that draw from the holdback first, so the house seats you promised are still there.
A walk-up box office takes cash or card at the door. Check-in keeps working when the venue's wifi does not, and every scan catches up when the signal returns.
Remembering it
Everyone who buys, on one record.
Every buyer, online or at the box office, becomes a contact on your organization's record, and it builds across the season, the festival and next year. Members can be priced from a roster you upload, verified at checkout.
On Janix Portfolio, the patrons who bought three times this year are a segment you pick, not a guess.
In practice
Fusebox Festival, on Janix.
Fusebox Festival programmed 114 events across Austin over five days in April 2026 and ran all of them on Janix: ticketing, comps, campaigns, sponsors and door check-in. The core team is seven people.
Bring your season.
Your calendar, your venues and the systems you run them on now. Thirty minutes on what it would look like on one.